Wednesday, August 26, 2009

Woodworking Exercise: Formal Abstraction

"The White Nun" by Whiting Tennis

Mon/Tues class: Due Monday, September 7th
Thurs/Fri class: Due Thursday, September 10th

Your assignment is to make a small tabletop sculpture (less than 24” in any direction) that abstractly represents a found object, using wood as your primary medium.

The intent of this assignment is to teach you some very basic woodworking techniques. Your goal should be to familiarize yourself with the available tools in the school’s woodshop, and to practice using them safely and effectively.

The focus of this project is on the craft of your object. No nails or screws are to be used in its construction (however, wood dowels are acceptable). All joints must be glued. Refer to the attached list of basic wood joints for more information.

Each student will be supplied with one 24” square piece of 1/2” thick plywood. Other supplies (other kinds of wood, dowels, etc.) are not required for this assignment. Although they are allowed, their acquirement will be the responsibility of each individual student.

Suggestions and things to consider:

Choose a small object that has a very simple form (like a wine glass, light bulb, toothbrush, etc.) that you could enlarge. Start with a simple idea. Add complexity in the details.
Notice the object’s contour lines, its distinctive qualities and textures. What are the object’s most important visual elements?

Consider your object in each of the 3 dimensions. What will it look like from above, from below, and from the sides? How will it sit on the table?

Make a lot of drawings before you start cutting! Try doing some blind contour drawings of your object to abstract the form a bit more.

Make templates out of paper and trace or glue them down on the wood for precise cuts. Measure twice before you cut!

Consider utilizing the unique properties wood has to offer as a building material: wood grain, knots, visual pattern created by joints, plywood layers and dowel ends, rough texture vs. sanded, carving capabilities, etc.

Try challenging yourself to use as much of your plywood as possible, even the scraps made from cutting it up.

Remember… this project is due in less than 2 weeks! Keep it simple! 

Long-term Assignment: Transmutation

"The Transmutation of Cloth" by Arthur Ganson 

Mon/Tues class: Due Monday, October 5th
Thurs/Fri class: Due Thursday, October 8th

transmute (verb)
to change in form, nature, or substance

This assignment is designed to give you the ability to tailor the class to your interests. It will allow you the time to generate ideas, while at the same time teaching you skills in several different media and allowing you to decide on which medium you’d like to focus.

During the first half of the semester, you will be introduced to basic woodworking, metal fabrication and electronics/kinetics techniques. You will be required to spend time learning and practicing your skills in each of those areas by completing 3 simple, short-term exercises. Throughout that time, you are expected to conduct individual research and generate ideas for a sculpture inspired by the idea of transmutation. This project will be due just before midterms, and account for 50% of your midterm grade.

Project requirements:

1. Documentation of individual research: at least 10 images of other artists’ work that relates to this subject should be printed and pasted into your sketchbook

2. Notes and sketches: write out or draw your all of your thoughts and ideas in your sketchbook (make this a daily or weekly habit!)

***You will be asked at random to share the above information with your peers during class discussions throughout the semester

3. Application of new skills: focus on at least one of the mediums or techniques you are taught (woodworking, metal fabrication, or electronics/kinetics) and apply that knowledge to this long-term assignment

4. Mixed media: your final project should be made of more than one medium, and include at least one found object in its construction (exceptions to this rule will be made on a case-by-case basis)

Start generating ideas for this project now, so you can learn the skills you’ll require to make them happen!

Saturday, August 22, 2009

Class Syllabus

Introduction to Sculpture, Fall 2009
ART 255 01 and 02, Binns Merrill SB01  
Instructor: Alicia Eggert, eggert@alfred.edu


Course Description   
This course will focus on individual artistic development, using both traditional and nontraditional three-dimensional materials. It will emphasize careful consideration of material choice, craft, form, space, site, presentation, and context. It will provide a forum for the discussion and exploration of contemporary sculptural practices, and the possibilities made available by such an expansive field.   


Goals and Objectives   
- Develop and encourage individual creative interests 
- Acquire fundamental skills in a wide range of techniques and materials, including wood construction, metal fabrication, mold-making and casting, basic electronics and kinetics 
- Discuss an artwork’s content and context, how materials can contain meaning, and the ways in which sculpture interacts with a space or site 
- Work towards safe studio and shop practices   


Attendance   
Attendance will be taken at the beginning of each class period. Success in a studio art class is dependent upon your participation in the studio activities and interaction with other students. This cannot occur if you are not in class. Therefore, this attendance policy will be strictly enforced.   
You are allowed two unexcused absences. The third unexcused absence will result in the lowering of a full letter grade at the end of the semester. Four absences will result in the lowering of two full letter grades. Five unexcused absences will result in the failure of the course.
If you are absent, it is your responsibility to find out what you have missed and what you need to prepare for the next class. In addition to contacting one of the instructors, you should also contact one of your classmates to find out about any assignments not indicated on the course outline.
 
Workshops   
Workshops will be offered to the class by demand on Sundays at 5pm. They are intended to enable you the opportunity to focus on your own individual interests in a particular medium, and to learn specific processes that cannot be taught during limited class time. Attending two workshops will afford you one additional excused absence.   


Critiques   
As extended projects are completed, we will discuss all the work as a group. Despite the title, critique sessions are not intended to be forums for demeaning criticism. They are to assist you in your creative development by providing focused opportunities for you to verbalize your reasoning and intentions, and for fellow classmates and instructors to share opinions and assistance. Critiques in a studio class take the place of exams and quizzes in a lecture course. Attendance is critical and required. Not only are no make ups allowed, they are not possible.  


Project Documentation and Class Blog   
Documentation is a very important aspect of art making and will be a crucial component to this class. Most often, a viewer will not be able to travel to see an artist’s work in person in a gallery or museum, but will instead see an image of it in a book or on the Internet. Because of this, it is important for work to be well documented, in order for it to exist beyond the limits of a specific place and time.   
You will be required to photograph each of your major assignments and post 1-3 digital images on the class blog: www.introtosculpture.blogspot.com. Each post should be titled with the title of your work, and should contain information regarding the work’s materials and dimensions. Your posts should be labeled with your name in order to make your work easily accessible (a demo of how to do this will be given after completion of the first assignment).   
This documentation will be viewed during your individual critiques at midterms and at the end of the semester, and will affect your final grade. If you do not own or have access to a digital camera, or have trouble editing or uploading your images, it is your responsibility to ask for assistance.   


Sketchbooks   
You will be expected to conduct your own research during the planning phase of each assignment. Your research and process should be documented in the form of a personal sketchbook, which can include notes and journal entries, sketches, and images you find inspirational or of your work in process. Your sketchbook will be reviewed by the instructors throughout the semester in order for us to better understand your creative intentions, and thus will play an important role in the evaluation and grading of your projects.    


Grading and Evaluation   
Grades will be based on completed projects, class participation (enthusiasm), project documentation, and involvement in class critiques. Lack of respect for studio rules and cleanliness will adversely affect your grade.   


ADA (Americans with Disabilities Act) Information   
If you are a student with a documented disability and you need accommodations, please make an appointment with the Director of Student Affairs.